What are the advantages of Animatronics?

Mechatronic puppets

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An animatronic is a mechatronic puppet[1] controlled by a machine to move in a fluent way.[2] They are a modern variant of the automaton and are often used for the portrayal of characters in films, video games and in theme park attractions.

It is a multidisciplinary field integrating puppetry, anatomy and mechatronics.[3][4] Animatronic figures can be implemented with both computer and human control, including teleoperation. Motion actuators are often used to imitate muscle movements and create realistic motions. Figures are usually encased in body shells and flexible skins made of hard or soft plastic materials and finished with colors, hair, feathers and other components to make them more lifelike. Animatronics stem from a long tradition of mechanical automata powered by hydraulics, pneumatics and clockwork.[5]

Before the term "animatronics" became common, they were usually referred to as "robots". Since then, robots have become known as more practical programmable machines that do not necessarily resemble living creatures. Robots (or other artificial beings) designed to convincingly resemble humans are known as "androids". The term Animatronics is a portmanteau of animate and electronics.[6] The term Audio-Animatronics was coined by Walt Disney in when he started developing animatronics for entertainment and film. Audio-Animatronics does not differentiate between animatronics and androids.

Autonomatronics was also defined by Disney Imagineers to describe more advanced Audio-Animatronic technology featuring cameras and complex sensors to process and respond to information in the character's environment.[7]

A Billy Bob animatronic with a child at a ShowBiz Pizza Place

History

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Animatronics in theme parks

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Modern attractions

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The first animatronics characters shown to the public were a dog and a horse, as separate attractions at the New York World's Fair. Sparko, The Robot Dog (the "pet" of Elektro the Robot) is considered the first modern-day animatronic character, as it represented a living animal rather than a purely mechanical figure.[9] An unnamed animatronic horse, which was reported to gallop realistically, was also exhibited.[10]

Laffing Sal was one of several automated characters used to attract carnival and amusement park patrons to funhouses and dark rides throughout the United States.[32] Its movements were accompanied by a raucous recorded laugh that sometimes frightened small children and annoyed adults.[33]

Walt Disney is often credited for popularizing animatronics for entertainment after he bought an animatronic bird while vacationing (in either New Orleans[34] or Europe[35]). Disney's vision for Audio-Animatronics was primarily focused on patriotic displays rather than amusements.[36]

In , two years after Disney developed animatronics, he commissioned machinist Roger Broggie and sculptor Wathel Rogers to lead a team tasked with creating a 9" figure that could talk and recreate dance routines performed by actor Buddy Ebsen. The figure, dubbed Project Little Man, was never finished. A year later, Walt Disney Imagineering was created.[37] Disney used what appeared as an animatronic bird in his film Mary Poppins (), which was actually controlled by bicycle cables.[citation needed]

After Project Little Man, the Imagineering team's first project was a "Chinese head" which was on display in the lobby of their office. Customers could ask the head questions and it replied with words of wisdom. The eyes blinked and its mouth opened and closed.[37]

Walt Disney Productions started using animatronics in for Disneyland's Jungle Cruise ride,[38] then for its Walt Disney's Enchanted Tiki Room attraction, which featured animatronic tropical birds and other characters.[citation needed]

The first fully audio-animatronic human figure was that of Abraham Lincoln, created by Disney for the World's Fair in New York. At the time Mr. Lincoln was one of the most realistic technologically advanced animatronics. His wig was stretched over his head to hide all of his parts.[39] Disney used Lincolns life mask from to create the most realistic version they could of the president.[40] In , Disney upgraded the figure, dubbed the Lincoln Mark II, to appear at the Opera House at Disneyland Resort in California.[36] For three months, while the original Lincoln performed in New York, the Lincoln Mark II gave five performances per hour at Disneyland. Actor Royal Dano voiced both versions of the figure.[36]

Lucky the Dinosaur is the first free roaming Audio-Animatronic figure created by Disney's Imagineers.[41] An approximately 8-foot-tall (2.4 m) green Segnosaurus figure, it pulls a flower-covered cart and is led by Chandler the Dinosaur Handler. The flower cart Lucky pulls conceals its computer and power source.[42]

The Muppet Mobile Lab is a free roaming Audio-Animatronic unit designed by Walt Disney Imagineering. Two Muppet characters, Dr. Bunsen Honeydew and his assistant Beaker, pilot their "laboratory" vehicle through the park, interacting with guests and deploying special effects such as foggers, flashing lights, moving signs, confetti cannons and spray jets. The attraction is currently deployed at Hong Kong Disneyland in Hong Kong.[citation needed]

Animatronics in films

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The film industry has been a driving force revolutionizing the technology used to develop animatronics.[43] Animatronics are used in situations where a creature does not exist (like Five Nights at Freddy's), the action is too risky or costly to use real actors or animals, or the action could never be obtained with a living person or animal. Its main advantage over CGI and stop motion is that the simulated creature has a physical presence moving in front of the camera in real time. The technology behind animatronics has become more advanced and sophisticated over the years, making the puppets even more lifelike.[citation needed]

Animatronics were first introduced by Disney in the film Mary Poppins which featured an animatronic bird. Since then, animatronics have been used extensively in such movies as Jaws, and E.T. the Extra-Terrestrial, which relied heavily on animatronics.[44]

Directors such as Steven Spielberg and Jim Henson have been pioneers in using animatronics in the film industry; a film co-directed by the latter, The Dark Crystal, showcased groundbreaking puppets designed by Brian Froud and created by Henson's then recently established Creature Shop in London.

The film Jurassic Park, directed by Spielberg, used a combination of computer-generated imagery in conjunction with life-sized animatronic dinosaurs built by Stan Winston and his team. Winston's animatronic "T. rex" stood almost 20 feet (6.1 m),[45] 40 feet (12 m) in length[46] and even the largest animatronics weighing 9,000 pounds (4,100 kg) were able to perfectly recreate the appearance and natural movement on screen of a full-sized Tyrannosaurus rex.[47]

Jack Horner called it "the closest I've ever been to a live dinosaur".[46] Critics referred to Spielberg's dinosaurs as breathtakingly &#; and terrifyingly &#; realistic.[48][49]

The BBC miniseries Walking with Dinosaurs was produced using a combination of about 80% CGI and 20% animatronic models.[50] The quality of computer imagery of the day was good, but animatronics were still better at distance shots, as well as closeups of the dinosaurs.[50] Animatronics for the series were designed by British animatronics firm Crawley Creatures.[50] The show was followed up in with a live adaptation of the series, Walking with Dinosaurs: The Arena Spectacular.[citation needed]

Geoff Peterson is an animatronic human skeleton that serves as the sidekick on the late-night talk show The Late Late Show with Craig Ferguson. Often referred to as a "robot skeleton", Peterson is a radio-controlled animatronic robot puppet designed and built by Grant Imahara of MythBusters.[51]

Films focusing on animatronics

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Short films

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• The Hug, a horror short film directed by Jack Bishop and Justin Nijm, and starring Nick Armstrong and Roman George, follows a bratty birthday boy at Pandory's Pan Pizza Palace, a ShowBiz Pizza Place-like restaurant, who has an awkward situation with Pandory the Panda, the pizzeria's giant panda animatronic mascot. It premiered at Hulu as part of its "Huluween" film competition.[

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Television

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Advertising

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The British advertisement campaign for Cadbury Schweppes titled Gorilla featured an actor inside a gorilla suit with an animatronically animated face.[citation needed]

The Slowskys was an advertising campaign for Comcast Cable's Xfinity broadband Internet service. The ad features two animatronic turtles, and it won the gold Effie Award in .[54]

Toys

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Some examples of animatronic toys include TJ Bearytails, Big Mouth Billy Bass, FurReal, Kota the triceratops, Pleo, WowWee Alive Chimpanzee, Microsoft Actimates, and Furby. Well-known brands include Cuddle Barn, PBC International, Telco, Sound N Light, Nika International, Gemmy Industries, Tickle Me Elmo, Chantilly Lane and Dan Dee.[citation needed]

Design

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There are quite a few ways to build an animatronic, however most follow this basic structure:

An animatronics character is typically designed to be as realistic as possible and thus, is built similarly to how it would be in real life. The framework of the figure is like the "skeleton". Joints, motors, and actuators act as the "muscles". Connecting all the electrical components together are wires, such as the "nervous system" of a real animal or person.[55] Steel, aluminum, plastic, and wood are all commonly used in building animatronics but each has its best purpose. The relative strength, as well as the weight of the material itself, should be considered when determining the most appropriate material to use. The cost of the material may also be a concern.[55] Several materials are commonly used in the fabrication of an animatronics figure's exterior. Dependent on the particular circumstances, the best material will be used to produce the most lifelike form. For example, "eyes" and "teeth" are commonly made completely out of acrylic.[56]

Some examples of different methods of building animatronics are Chuck E. Cheese's studio c animatronic, made of latex rubber, metal, and plastic supported by an internal skeleton[57] and on the other end of the spectrum is the all metal bunyip animatronic in Australia, using water to actuate the characters mouth.[58]

Materials

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• Latex: White latex is commonly used as a general material because it has a high level of elasticity. It is also pre-vulcanized, making it easy and fast to apply.[59] Latex is produced in several grades. Grade 74 is a popular form of latex that dries rapidly and can be applied very thick, making it ideal for developing molds.[60] Foam latex is a lightweight, soft form of latex which is used in masks and facial prosthetics to change a person's outward appearance, and in animatronics to create a realistic "skin".[60] The Wizard of Oz was one of the first films to make extensive use of foam latex prosthetics in the s.[61]
• Silicone: Disney has a research team devoted to improving and developing better methods of creating more lifelike animatronics exteriors with silicone.[62] RTV silicone (room temperature vulcanization silicone) is used primarily as a molding material as it is very easy to use but is relatively expensive. Few other materials stick to it, making molds easy to separate.[63][64] Bubbles are removed from silicone by pouring the liquid material in a thin stream or processing in a vacuum chamber prior to use. Fumed silica is used as a bulking agent for thicker coatings of the material.[65]
• Polyurethane: Polyurethane rubber is a more cost effective material to use in place of silicone. Polyurethane comes in various levels of hardness which are measured on the Shore scale. Rigid polyurethane foam is used in prototyping because it can be milled and shaped in high density. Flexible polyurethane foam is often used in the actual building of the final animatronic figure because it is flexible and bonds well with latex.[60]
• Plaster: As a commonplace construction and home decorating material, plaster is widely available. Its rigidity limits its use in molds, and plaster molds are unsuitable when undercuts are present. This may make plaster far more difficult to use than softer materials like latex or silicone.[64]

Movement

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Additional reading:
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Unlocking 3D Naked Eye Cinema: The Future of Immersive Movies

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Pneumatic actuators can be used for small animatronics but are not powerful enough for large designs and must be supplemented with hydraulics. To create more realistic movement in large figures, an analog system is generally used to give the figures a full range of fluid motion rather than simple two position movements.[66]

Mimicking the often-subtle displays of humans and other living creatures, and the associated movement is a challenging task when developing animatronics. One of the most common emotional models is the Facial Action Coding System (FACS) developed by Ekman and Friesen.[67] FACS defines that through facial expression, humans can recognize six basic emotions: anger, disgust, fear, joy, sadness, and surprise. Another theory is that of Ortony, Clore, and Collins, or the OCC model[68] which defines 22 different emotional categories.[69]

In Disney revealed its new animatronics robot that can breathe, move its eyes very much like humans, and identify people around it in order to select "an appropriate" response, as opposed to previous Disney animatronics that were used in purely scripted, non-interactive situations, like theme park rides.[70]

Training and education

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Animatronics has been developed as a career which combines the disciplines of mechanical engineering, casting/sculpting, control technologies, electrical/electronic systems, radio control and airbrushing.[citation needed]

Some colleges and universities do offer degree programs in animatronics. Individuals interested in animatronics typically earn a degree in robotics which closely relate to the specializations needed in animatronics engineering.[71]

Students achieving a bachelor's degree in robotics commonly complete courses in:

• Mechanical engineering
• Industrial robotics
• Mechatronics systems
• Modeling of robotics systems
• Robotics engineering
• Foundational theory of robotics
• Introduction to robotics.[

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In popular culture

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Animatronic characters appear in both films and games, most notably in horror genre and survival horror video games that generally features possessed animatronics as antagonists.[72]

Games

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See also

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References

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Footnotes

Sources

Animatronics at Wikipedia's

at Wikipedia's

sister projects

• Definitions from Wiktionary

  from Wiktionary

• Media from Commons

  from Commons

• News from Wikinews

  from Wikinews

• Quotations from Wikiquote

  from Wikiquote

INTRODUCTION:

Animatronics, a fascinating blend of animation and electronics, has a rich history that intertwines with the evolution of robotics. From its humble beginnings to the sophisticated creations of today, animatronics has played a pivotal role in shaping the world of robotics and entertainment.

EARLY BEGINNINGS:

The roots of animatronics can be traced back to the early 20th century, with simple mechanized puppets and automata capturing the imagination of audiences. Notable pioneers like Leonardo da Vinci and Jacques de Vaucanson laid the groundwork for the integration of mechanics and lifelike movements.

Leonardo da Vinci's Mechanical Knight

DISNEY'S CONTRIBUTION:

The true leap forward came with The Walt Disney Company 's vision in the mid-20th century. Disneyland's Enchanted Tiki Room () marked a watershed moment, introducing the first audio-animatronic figures. These electro-mechanical marvels brought characters to life, showcasing the potential of combining robotics and entertainment.

First audio-animatronic figures

RISE OF THEME PARK ANIMATRONICS:

The subsequent decades witnessed a surge in animatronic applications within theme parks. From the iconic Hall of Presidents to thrilling rides like Pirates of the Caribbean, animatronics became synonymous with immersive experiences. Mechanical engineers worked hand-in-hand with artists to craft lifelike characters, pushing the boundaries of what was possible.

Animatronics in Pirates of the Carribean Theme park

TECHNOLOGICAL ADVANCEMENTS:

As technology advanced, animatronics entered a new era, The integration of microcontrollers, sensors, and actuators brought a level of sophistication that was once unimaginable. The lines between robotics and animatronics blurred, opening doors to more interactive and dynamic performances.

ENTERTAINMENT INDUSTRY IMPACT:

Beyond theme parks, animatronics found a home in the film industry. From the groundbreaking "Jurassic Park" dinosaurs to the enchanting creatures of "Harry Potter," animatronics brought a tangible realism to the screen. Robotics became an essential tool for filmmakers seeking to create memorable, believable characters.

Photorealistic animatronic T-Rex from Jurassic Park

MECHATRONICS IN ANIMATRONICS:

The synergy between mechanics and electronics, known as mechatronics, became a driving force behind animatronics' evolution. Engineers began incorporating advanced control systems, artificial intelligence, and feedback mechanisms, enabling more nuanced and responsive movements.

CHALLENGES AND BREAKTHROUGHS:

The journey of animatronics has not been without challenges. Overcoming the uncanny valley, where realism meets discomfort, and ensuring reliability in complex systems posed significant obstacles. Yet, these challenges spurred breakthroughs, leading to innovations that further solidified animatronics as a cornerstone of modern robotics.

FUTURE HORIZONS:

Looking ahead, animatronics continues to evolve. With the rise of soft robotics, AI-driven interactions, and the exploration of new materials, the future promises even more seamless integration between robots and their surroundings. Animatronics stands at the forefront of this robotic revolution, showcasing the endless possibilities that lie ahead.

APPLICATIONS OF ANIMATRONICS IN DIVERSE FIELDS:

Animatronics, with its seamless fusion of mechanics, electronics, and artistry, finds diverse applications across various industries. In the entertainment realm, theme parks continue to harness animatronics to create immersive experiences, from lifelike characters in dark rides to interactive exhibits in museums. The film industry benefits immensely, leveraging animatronics to bring fantastical creatures and characters to life on the big screen. Moreover, animatronics plays a crucial role in education and training, with robotic models simulating medical procedures, enhancing hands-on learning experiences. In manufacturing, animatronics contributes to the development of advanced automation systems, improving efficiency and precision in production processes. The field of advertising has also embraced animatronics to craft attention-grabbing displays, blurring the lines between reality and fiction. As animatronics continues to advance, its applications are only expanding, making it a versatile tool that transcends entertainment and delves into the realms of education, industry, and beyond.

CONCLUSION:

From its early mechanized origins to the sophisticated mechatronic wonders of today, animatronics has not only captivated audiences but has significantly contributed to the field of robotics. Its evolution serves as a testament to the ingenuity and collaboration between mechanical engineers, electrical experts, and artists, shaping a future where the lines between man and machine continue to blur.

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